I'm one of 30 photographers who've taken part in Elsie's November 30 day photo challenge. You can find out more about it on her blog here , but basically we each took a photo, and Elsie produced one in response. Here is my image: And here is Elsie's response: Check out the whole series on Elsie's blog: https://ek13photography.com/blog/ #photography #collaboration
(just had a bit of a cinderella moment. went to an amazing poetry night, Poetree at the BBC, and realised as it ended that it was already ten past eleven, and i still needed to write today's poem. which made for some odd non-sequitur goodbyes 'sorry, i've got to go, i need to write a poem before midnight'...weirdo! so i did it on the bus. it is an example of why i hardly ever even attempt to rhyme...) -- after fool's -- out of time and chasing rhyme and searching for a piece that aches to be sublime attemptng genius, attempting smart looking for some lines that justify the term 'art' as i scribble, pen scratch graze ink onto the page writing as a fool aspiring to be a sage never for a wage, rarely for the stage fingers fumbling, poem rumbling, tumbling from my my mind cage but the padlock's got stuck so all my lines suck and the rhyming scheme i've started's run completely amuck but i don't give a hoot about the lines i unroot only care a...
§ I haven't blogged in a minute. I felt to share this short piece I've just finished for a Uni writing task - thinking I might expand it a little when I have time. - - - - - - - African Choirboys/Albert Jonas and John Xiniwe, The African Choir; 1891; London Stereoscopic Company/Hulton Archive/Getty Image ‘You have no control - who lives, who dies, who tells your story’. – Chris Jackon, Who Tells Your Story; Hamilton: An American Musical, Miranda (2015) Two young boys lean on a balustrade, skin glowing in the studio light, faces turned upwards as though contemplating the heavens, the absolute picture of carefree contemplation. This photographic recreation of the two cherubs from Raphael’s Sistine Madonna is both immediately recognisable and very much its own work - ...
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